{"id":780,"date":"2025-02-01T20:26:52","date_gmt":"2025-02-01T20:26:52","guid":{"rendered":"https:\/\/edebiyatatlasi.com\/?page_id=780"},"modified":"2025-02-01T20:26:52","modified_gmt":"2025-02-01T20:26:52","slug":"edirne","status":"publish","type":"page","link":"https:\/\/edebiyatatlasi.com\/?page_id=780","title":{"rendered":"Edirne+"},"content":{"rendered":"\n<p><strong>Romanlar<\/strong><\/p>\n\n\n\n<p><strong>G\u00dcL\u2019 \u00dcN BABASI K\u0130M (HAL\u0130DE NUSRET ZORLUTUNA<\/strong> )<\/p>\n\n\n\n<p>Talat ile evlilik haz\u0131rl\u0131klar\u0131 yapan Mecla, yasak bir a\u015fk ya\u015famaktad\u0131r.Talat bunlar\u0131 gizli olarak s\u00fcrud\u00fcr\u00fcr. \u00c7\u00fcnk\u00fc Talat\u2019\u0131n imam nikahl\u0131 bir e\u015fi vard\u0131r. Talat\u2019\u0131n e\u015fi Leman, Mecla\u2019ya kendi ya\u015fad\u0131klar\u0131n\u0131 ya\u015famamas\u0131 i\u00e7in bir mektup yollar. Buna sinirlenen Mecla ise Leman\u2019a kocas\u0131n\u0131 kaybetti\u011fini alayl\u0131 bir \u015fekilde s\u00f6yler. Mecla sonradan Talat\u2019tan hamile kal\u0131r ve terk edilir. Ailesi taraf\u0131ndan Edirne\u2019de bir k\u00f6ye yollanan Mecla burada Havva ad\u0131yla yeni bir ya\u015fama ba\u015flar. Burada yanlar\u0131nda kald\u0131\u011f\u0131 Hasan Amca, bir k\u0131z lisesinde kap\u0131c\u0131 olarak \u00e7al\u0131\u015fmaktad\u0131r. Havva buradaki \u00f6\u011fretmenlerle tan\u0131\u015f\u0131r ve k\u0131sa s\u00fcrede sevilir. Karn\u0131ndaki \u00e7ocu\u011funu d\u00fc\u015f\u00fcn\u00fcp ya\u015famak i\u00e7in \u00fcmidi var olan Havva, \u00e7ocu\u011funa G\u00fcl ad\u0131n\u0131 verir. Ancak G\u00fcl\u2019\u00fcn babas\u0131n\u0131n kim oldu\u011fu d\u00fc\u015f\u00fcncesi etraf\u0131ndakilerin beynini kemirmi\u015ftir. (lincheap,2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Halk Hikayesi, Hikaye, Destan<\/strong><\/p>\n\n\n\n<p><strong>Edirne K\u0131rm\u0131z\u0131s\u0131 (Sabriye Cemboluk)<\/strong><\/p>\n\n\n\n<p>\u201d\u0130\u015fte o gelincik k\u0131rm\u0131z\u0131s\u0131yla bezeli da\u011flar benim da\u011flar\u0131m! O renk benim rengim! Ben o k\u0131rm\u0131z\u0131 rengin kendisiyim! O renk annem, babam, ablam, memleketim, dilim, \u015fark\u0131lar\u0131m ve her \u015feyim&#8230; G\u00f6zlerimden ve y\u00fcre\u011fimden s\u00f6k\u00fcp al\u0131namayan her \u015feyim&#8230; \u015eimdi hatunlar nas\u0131l yapars\u0131n\u0131z bilmem ama bu kuma\u015flar\u0131 ve bu k\u0131rm\u0131z\u0131y\u0131 istiyorum. \u015eehzademin k\u0131rk\u0131nc\u0131 g\u00fcn \u015fenliklerinde sadece benim odam de\u011fil b\u00fct\u00fcn saray, hatta b\u00fct\u00fcn Edirne bu renkle s\u00fcslensin! Yedi iklim d\u00f6rt bucaktan gelenler bu k\u0131rm\u0131z\u0131ya meftun olsunlar! C\u00fcmle t\u00fcccarlar bu rengin pe\u015fine d\u00fc\u015f\u00fcp ak\u0131n ak\u0131n Edirne&#8217;ye gelsinler. Ola ki bir g\u00fcn&#8230;\u201d \u201dNedense bu \u015fehrin insanlara farkl\u0131 bir g\u00fc\u00e7 katt\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnmeye ba\u015flam\u0131\u015ft\u0131. Burada do\u011fup b\u00fcy\u00fcyen Fatih Sultan Mehmet, hen\u00fcz yirmi iki ya\u015f\u0131nda Konstantinopolis gibi kal\u0131n surlarla \u00e7evrili bir \u015fehri fethedip koskoca Do\u011fu Roma \u0130mparatorlu\u011fu&#8217;na son vermi\u015fti. Binlerce y\u0131ld\u0131r \u015fehrin a\u015f\u0131lamayan kalelerini, Edirne&#8217;nin Tophane Bay\u0131r\u0131&#8217;nda d\u00f6kt\u00fcrd\u00fc\u011f\u00fc devasa b\u00fcy\u00fckl\u00fckteki toplarla delik de\u015fik etmi\u015fti. \u0130stanbul&#8217;daki d\u00fcnya harikas\u0131 Ayasofya&#8217;dan daha muhte\u015fem bir mabet olan Selimiye Camisi&#8217;ni, Mimar Sinan doksan ya\u015f\u0131ndan sonra Edirne\u2019de yapm\u0131\u015ft\u0131. Bu \u015fehir Osmanl\u0131&#8217;n\u0131n mucize yaratan insanlar\u0131n\u0131n \u015fehri gibiydi. Buran\u0131n topra\u011f\u0131 mucizelere gebeydi. \u0130\u015fte son mucize de bu Edirne k\u0131rm\u0131z\u0131s\u0131yd\u0131.\u201d On yedinci y\u00fczy\u0131l\u0131n sonlar\u0131na do\u011fru Edirne&#8217;deyiz. Saraylar\u0131yla, kas\u0131rlar\u0131yla, camileriyle k\u00f6pr\u00fcleriyle kozmopolit bir d\u00fcnya \u015fehrinde! Osmanl\u0131 \u0130mparatorlu\u011fu&#8217;nun ba\u015fkentinde! Yabanc\u0131 t\u00fcccarlar\u0131n, el\u00e7ilerin, asilzadelerin, sanat\u00e7\u0131lar\u0131n ve gezginlerin u\u011frak noktas\u0131! Ve de casuslar\u0131n&#8230; On sekizinci y\u00fczy\u0131lda d\u00fcnyan\u0131n casuslar g\u00f6ndererek pe\u015finden ko\u015ftu\u011fu Edirne K\u0131rm\u0131z\u0131s\u0131 ile yap\u0131lan kuma\u015f boyama ve bask\u0131s\u0131 Avrupa&#8217;n\u0131n en \u00f6nemli erken end\u00fcstri kollar\u0131ndan birisiydi. Son roman\u0131 Edirne K\u0131rm\u0131z\u0131s\u0131&#8217;nda Sabriye Cemboluk, ge\u00e7mi\u015fte ger\u00e7ekten ya\u015fam\u0131\u015f karakterleri ve ya\u015fanm\u0131\u015f olaylar\u0131, edebi kurguyla tarihin ak\u0131\u015f\u0131n\u0131 de\u011fi\u015ftirerek temsili ger\u00e7eklikte bir araya getiriyor.(dr.com,2021)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Bir Efsane<\/strong><\/p>\n\n\n\n<p><strong>G\u00f6l Baba Efsanesi<\/strong><\/p>\n\n\n\n<p> Ya\u015fl\u0131 bir adam, bir k\u00f6ye gelir Kap\u0131 kap\u0131 dola\u015farak bir par\u00e7a ekmek ister; ama kimse yard\u0131mc\u0131 olmaz Fakat bir eve geldi\u011finde kad\u0131n, ona; \u201cBenim de ekme\u011fim yok \u00c7ocuklar da s\u00fcrekli ekmek istiyorlar; fakat onlar\u0131 oyalamak i\u00e7in f\u0131r\u0131na tezek koydum\u201d der. Ya\u015fl\u0131 adam da; \u201cBiraz verirsen \u00e7ok makbule ge\u00e7er\u201d der Kad\u0131n da; \u201cFakat onlar tezek Nas\u0131l olur?\u201d der Ya\u015fl\u0131 adam; \u201cGit, getir\u201d der Kad\u0131n, gider ve f\u0131r\u0131n\u0131 a\u00e7ar Bir de ne g\u00f6rs\u00fcn! Tezeklerin yerinde ekmek vard\u0131r Ekme\u011fi al\u0131r ve ya\u015fl\u0131 adama g\u00f6t\u00fcr\u00fcp verir. Ya\u015fl\u0131 adam, kad\u0131na; \u201c\u00c7ocuklar\u0131n\u0131 al ve benimle gel; ama sak\u0131n arkana bakma!\u201d der Kad\u0131n, ya\u015fl\u0131 adamla gider; ama dayanamay\u0131p arkas\u0131n\u0131 d\u00f6ner ve bakar Bakt\u0131\u011f\u0131 anda da kad\u0131n ta\u015fa d\u00f6n\u00fc\u015f\u00fcr ve k\u00f6y yok olur. Bug\u00fcn o k\u00f6y\u00fcn yerinde olan g\u00f6le G\u00f6lbaba denilmektedir.(engelsizedebiyat,2024)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"22 Edirne\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/X4Gj9YHFKvM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Bir Deyi\u015f<\/strong><\/p>\n\n\n\n<p>Ac\u0131kan yana\u011f\u0131ndan, susayan duda\u011f\u0131ndan belli olur.<\/p>\n\n\n\n<p><strong>Bir Kelime<\/strong><\/p>\n\n\n\n<p>Kovalak: G\u00f6steri\u015f d\u00fc\u015fk\u00fcn\u00fc, abart\u0131l\u0131 ve \u00f6zenti anlamlar\u0131nda kullan\u0131labilir. <\/p>\n\n\n\n<p>Orijinal s\u00f6yleni\u015fi: kuvalak.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Romanlar G\u00dcL\u2019 \u00dcN BABASI K\u0130M (HAL\u0130DE NUSRET ZORLUTUNA ) Talat ile evlilik haz\u0131rl\u0131klar\u0131 yapan Mecla, yasak bir a\u015fk ya\u015famaktad\u0131r.Talat bunlar\u0131 gizli olarak s\u00fcrud\u00fcr\u00fcr. \u00c7\u00fcnk\u00fc Talat\u2019\u0131n imam nikahl\u0131 bir e\u015fi vard\u0131r. Talat\u2019\u0131n e\u015fi Leman, Mecla\u2019ya kendi ya\u015fad\u0131klar\u0131n\u0131 ya\u015famamas\u0131 i\u00e7in bir mektup yollar. Buna sinirlenen Mecla ise Leman\u2019a kocas\u0131n\u0131 kaybetti\u011fini alayl\u0131 bir \u015fekilde s\u00f6yler. Mecla sonradan Talat\u2019tan &hellip; <a href=\"https:\/\/edebiyatatlasi.com\/?page_id=780\" class=\"more-link\"><span class=\"screen-reader-text\">Edirne+<\/span> yaz\u0131s\u0131na devam et <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-780","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=780"}],"version-history":[{"count":1,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/780\/revisions"}],"predecessor-version":[{"id":781,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/780\/revisions\/781"}],"wp:attachment":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}