{"id":236,"date":"2025-01-26T22:46:35","date_gmt":"2025-01-26T22:46:35","guid":{"rendered":"https:\/\/edebiyatatlasi.com\/?page_id=236"},"modified":"2025-01-26T22:46:35","modified_gmt":"2025-01-26T22:46:35","slug":"kars","status":"publish","type":"page","link":"https:\/\/edebiyatatlasi.com\/?page_id=236","title":{"rendered":"KARS+"},"content":{"rendered":"\n<p><strong>ROMANLAR<\/strong><\/p>\n\n\n\n<p><strong>Kar (Orhan Pamuk)<\/strong><\/p>\n\n\n\n<p> Nobel \u00f6d\u00fcll\u00fc T\u00fcrk yazar Orhan Pamuk, 2002 y\u0131l\u0131nda yay\u0131mlad\u0131\u011f\u0131 Kar adl\u0131 eserinde siyasi ve toplumsal konular\u0131 roman penceresinden ele al\u0131yor. Yazar\u0131n \u201cilk ve son siyasi roman\u0131m\u201d olarak tan\u0131mlad\u0131\u011f\u0131 eser, Kars \u015fehrini merkeze alarak T\u00fcrkiye\u2019de cehalet ve yobazl\u0131k sorunlar\u0131n\u0131 konu ediniyor. Roman, toplumun en hassas konular\u0131ndan olan kad\u0131n meselesini irdelemesi bak\u0131m\u0131ndan, ayn\u0131 zamanda kitlesel bir ele\u015ftiri niteli\u011fi ta\u015f\u0131yor.  T\u00fcrkiye\u2019de teknik romanc\u0131l\u0131\u011f\u0131n ve postmodernist roman ak\u0131m\u0131n\u0131n en g\u00fc\u00e7l\u00fc temsilcilerinden olan Orhan Pamuk, Kar roman\u0131nda uygulad\u0131\u011f\u0131 klasik teknik ile yazarl\u0131k kariyerine farkl\u0131 bir \u00e7izgi ekliyor. Romanlar\u0131nda heyecan ve gerilim unsurlar\u0131na \u00e7ok fazla yer vermeyen yazar, bu eserinde de derin konular\u0131 g\u00fcndelik ya\u015fam\u0131n ak\u0131\u015f\u0131 \u00fczerinden okurlar\u0131na aktar\u0131yor. 43 b\u00f6l\u00fcmden olu\u015fan Kar, b\u00f6ylece okurlar\u0131n\u0131n ya\u015fam\u0131na da yeni bir sayfa ekliyor. Kar ile Ba\u015flayan Yolculuk Kar, Almanya\u2019dan Kars\u2019a do\u011fru yola \u00e7\u0131kan s\u00fcrg\u00fcn bir k\u00f6\u015fe yazar\u0131 ve \u015fairin ya\u015fad\u0131klar\u0131n\u0131 ele al\u0131yor. Kitap, ba\u015fkahraman\u0131 olan Kerim Alaku\u015fo\u011flu\u2019nun Erzurum\u2019dan Kars\u2019a yapt\u0131\u011f\u0131 otob\u00fcs yolculu\u011fu ile ba\u015fl\u0131yor. Yolda kar\u0131n ya\u011f\u0131\u015f\u0131n\u0131 izleyen ba\u015fkahraman, \u00e7ocukluk g\u00fcnlerini hat\u0131rlayarak kar ile masumiyeti \u00f6zde\u015fle\u015ftiriyor. Ve kendisiyle konu\u015ftu\u011fu bu s\u00fcrede, ad\u0131n\u0131 sevmedi\u011fi i\u00e7in kendisine \u201cKa\u201d denmesini tercih etti\u011fini de okurlara a\u00e7\u0131kl\u0131yor. Ka, s\u0131k\u00e7a g\u00fcndeme gelen Kars\u2019taki kad\u0131n intiharlar\u0131n\u0131 ara\u015ft\u0131rmak i\u00e7in yola \u00e7\u0131k\u0131yor. \u015eehre ad\u0131m att\u0131\u011f\u0131 anda ise belediye taraf\u0131ndan binalara as\u0131lm\u0131\u015f \u201c\u0130nsan Allah\u2019\u0131n bir \u015faheseridir ve intihar bir k\u00fcf\u00fcrd\u00fcr.\u201d yaz\u0131l\u0131 posterler dikkatini \u00e7ekiyor. Ka, burada ge\u00e7irdi\u011fi s\u00fcre boyunca, \u015fehirdeki insanlar\u0131 ve dini faaliyetleri g\u00f6zlemleme \u015fans\u0131na sahip oluyor. Pamuk\u2019un fikirlerinin de \u00e7ok\u00e7a hissedildi\u011fi Kar, bu y\u00f6n\u00fcyle asl\u0131nda yazar\u0131n Kars\u2019a olan hayali yolculu\u011fu olarak dikkat \u00e7ekiyor (Dr.com,2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>YELATAN  (\u00dcM\u0130T KAFTANCIO\u011eLLU )<\/strong><\/p>\n\n\n\n<p>Yazar ilk roman\u0131 olan Yelatan&#8217;da kendi ya\u015fam\u0131ndan yola \u00e7\u0131kar. Bu roman\u0131n i\u00e7eri\u011fi hik\u00e2yelere benzemektedir. Bir aile etraf\u0131nda k\u00f6y ya\u015fam\u0131n\u0131n verildi\u011fi romanda insanlar\u0131n toplum, do\u011fa ve birbirleriyle olan \u00e7at\u0131\u015fmalar\u0131 anlat\u0131lmaktad\u0131r. Eserde geri kalm\u0131\u015f bir b\u00f6lgenin yaratt\u0131\u011f\u0131 baz\u0131 gelenek ve mitlere de yer verilmi\u015ftir. Yazar T\u00fcfekliler ad\u0131n\u0131 ta\u015f\u0131yan ikinci roman\u0131nda do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc b\u00f6lgeyi b\u0131rak\u0131p \u00f6\u011fretmen olarak g\u00f6rev yapt\u0131\u011f\u0131 g\u00fcneydo\u011fuyu anlat\u0131r. Bu eserde g\u00fcneydo\u011funun insanlar\u0131, buraya gelen e\u011fitimciler ele al\u0131n\u0131r ve onlar\u0131n \u00e7etin ge\u00e7en ya\u015famlar\u0131 s\u00f6z konusu edilir. Zul\u00fcmden y\u0131lm\u0131\u015f insanlar\u0131n, etnik gruplar\u0131n b\u00fcy\u00fck bir bask\u0131, tevekk\u00fcl, a\u00e7l\u0131k, susuzluk ve korku ekseninde d\u00f6nen ya\u015famlar\u0131 \u00f6n plana \u00e7\u0131kart\u0131l\u0131r (Dinamo 2006: 73). (Y\u00dcREK, 2019)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Halk Hikayesi, Hikaye, Destan<\/strong><\/p>\n\n\n\n<p><strong>\u00d6yk\u00fclerle Kars  (Kollektif)<\/strong><\/p>\n\n\n\n<p>Bu kitap; farkl\u0131 mesleklerden, ayn\u0131 y\u00f6reden insanlar\u0131n bir araya gelerek yazd\u0131\u011f\u0131 bir eserdir. Her yazar\u0131n kendi ya\u015fanm\u0131\u015fl\u0131\u011f\u0131na ait bu \u00f6yk\u00fc kitab\u0131, edeb\u00ee ahengi ve k\u00fclt\u00fcrel zenginli\u011fiyle t\u0131pk\u0131 \u201cDo\u011fu Ekspresi\u201d gibi sizleri farkl\u0131 bir co\u011frafyayla tan\u0131\u015ft\u0131racakt\u0131r.(bkmkitap,2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Bir Efsane<\/strong><\/p>\n\n\n\n<p><strong>Ani Kuyusu&#8217;nda K\u0131\u015flayan Bulut Ejderhas\u0131 Efsanesi<\/strong><\/p>\n\n\n\n<p> Ani y\u00f6resinde tah\u0131l saklama kuyular\u0131 vard\u0131r. Bulut ejderhalar\u0131n\u0131n komik yerleri olan bu kuyulardan birine, bir adam d\u00fc\u015fer. Cezas\u0131n\u0131 \u00e7ekmek i\u00e7in yery\u00fcz\u00fcne g\u00f6nderilmi\u015f bir ejderhayla kar\u015f\u0131la\u015f\u0131r. Ejderhan\u0131n g\u00f6zleri alev alev yanmaktad\u0131r. Adam bir k\u00f6\u015feye s\u0131\u011f\u0131n\u0131r. Ejderha onu g\u00f6r\u00fcr ona bir \u015fey yapmaz. \u00d6\u011flen olunca ejderhaya g\u00f6kten ak bir yumak bi\u00e7iminde yiyecek iner. Ejderha bunun bir par\u00e7as\u0131n\u0131 adama verir, gerisini yutar. Bu b\u00f6yle s\u00fcr\u00fcp gider. \u0130yi beslenen adam\u0131n sa\u00e7\u0131 sakal\u0131 uzam\u0131\u015f, v\u00fccudu k\u0131llanm\u0131\u015ft\u0131r. Aradan k\u0131rk g\u00fcn ge\u00e7er. Arl\u0131k sabr\u0131 kalmayan adam ne olacaksa olsun deyip hayk\u0131rmaya ba\u015flar. Ejderha ba\u015f\u0131n\u0131 sallar, biraz daha sabretmesini i\u015faret eder. Bir s\u00fcre sonra g\u00f6kten bir zincir sallan\u0131r. Ejderhan\u0131n cezas\u0131 bitmi\u015f, g\u00f6\u011fe d\u00f6nme zaman\u0131 gelmi\u015ftir. Adama kuyru\u011funa tutunmas\u0131n\u0131 i\u015faret eder. Adam denileni yapar, kuyudan \u00e7\u0131k\u0131nca kuyru\u011fu b\u0131rak\u0131r ve kurtulur. Evine d\u00f6n\u00fcp olanlar\u0131 anlatt\u0131\u011f\u0131nda, bir ermi\u015f gibi kar\u015f\u0131lan\u0131r. Ejderhalar\u0131n Ani&#8217;deki yumu\u015fak kayalara oyulmu\u015f kuyularda k\u0131\u015flad\u0131klar\u0131 inanc\u0131 y\u00f6rede yayg\u0131nd\u0131r.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"36 Kars\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/pd5yp2dlbdk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Bir Kelime:<\/strong><\/p>\n\n\n\n<p>Loppaz= \u00c7ok konu\u015fan<\/p>\n\n\n\n<p><strong>Bir Deyi\u015f<\/strong><\/p>\n\n\n\n<p>At binip c\u0131d\u0131r oynamak.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ROMANLAR Kar (Orhan Pamuk) Nobel \u00f6d\u00fcll\u00fc T\u00fcrk yazar Orhan Pamuk, 2002 y\u0131l\u0131nda yay\u0131mlad\u0131\u011f\u0131 Kar adl\u0131 eserinde siyasi ve toplumsal konular\u0131 roman penceresinden ele al\u0131yor. Yazar\u0131n \u201cilk ve son siyasi roman\u0131m\u201d olarak tan\u0131mlad\u0131\u011f\u0131 eser, Kars \u015fehrini merkeze alarak T\u00fcrkiye\u2019de cehalet ve yobazl\u0131k sorunlar\u0131n\u0131 konu ediniyor. Roman, toplumun en hassas konular\u0131ndan olan kad\u0131n meselesini irdelemesi bak\u0131m\u0131ndan, ayn\u0131 &hellip; <a href=\"https:\/\/edebiyatatlasi.com\/?page_id=236\" class=\"more-link\"><span class=\"screen-reader-text\">KARS+<\/span> yaz\u0131s\u0131na devam et <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-236","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=236"}],"version-history":[{"count":1,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/236\/revisions"}],"predecessor-version":[{"id":237,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/236\/revisions\/237"}],"wp:attachment":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}