SA\u011eIRDERE(KEMAL TAH\u0130R)<\/strong><\/p>\n\n\n\n Sa\u011f\u0131rdere\u2019de, Kemal Tahir, hikayesini k\u00f6y-kent ikilemi \u00fczerine kurarken, yoksul k\u00f6yl\u00fcn\u00fcn k\u00fc\u00e7\u00fck d\u00fcnyas\u0131n\u0131 olanca sadeli\u011fi ve samimiyetiyle anlat\u0131r. \u00c7ocuksu bir a\u015fkla tutuldu\u011fu k\u0131za kavu\u015famayan Mustafa\u2019n\u0131n k\u00f6ye katlanamay\u0131p Ankara\u2019ya \u00e7al\u0131\u015fmaya gitmesi, orada b\u00fct\u00fcn zorluklara ra\u011fmen tutunmaya \u00e7al\u0131\u015fmas\u0131, kent hayat\u0131n\u0131 g\u00f6r\u00fcp, kendini sorgulamaya ba\u015flamas\u0131,<\/p>\n\n\n\n sonras\u0131nda ise de\u011fi\u015ferek k\u00f6ye geri d\u00f6nmesini anlatan “Sa\u011f\u0131rdere”, bir yandan da naif bir a\u015fk ve ergenlik hik\u00e2yesidir.Bu pastoral roman, k\u00fc\u00e7\u00fck, yoksul ama ya\u015fam dolu d\u00fcnyalar\u0131n i\u00e7ine bizi yeniden ta\u015f\u0131rken, feodal d\u00fcnyan\u0131n ac\u0131mas\u0131zl\u0131\u011f\u0131n\u0131 da g\u00f6z \u00f6n\u00fcne seriyor…(kitapyurdu, 2019)<\/p>\n\n\n\n Pencere (Etfal Y\u0131ld\u0131z) <\/strong><\/p>\n\n\n\n K\u00f6y\u00fcne ve \u015fehrine olan sevgisini ve ahde vefas\u0131n\u0131 ikinci roman\u0131yla ta\u00e7land\u0131ran Y\u0131ld\u0131z; yeni kitab\u0131yla, bir anlamda k\u00f6yden \u015fehre bir pencere a\u00e7arak “K\u00f6yden \u015fehre g\u00f6\u00e7 etmenin, \u015fehirli olmay\u0131 sa\u011flamad\u0131\u011f\u0131n\u0131 ve o k\u00fclt\u00fcre eri\u015febilmek i\u00e7in bir s\u00fcre\u00e7 gerekti\u011fini ve k\u00fclt\u00fcrel de\u011fi\u015fimi h\u0131zla ya\u015fayabilmek i\u00e7in, de k\u00fclt\u00fcrel geli\u015fimi h\u0131zland\u0131rmak gerekti\u011fini…” vurguluyor. K\u00f6y\u00fcn\u00fc, \u015fehrini ve \u00e7evresini keskin bir g\u00f6zle inceleyerek, kimlikleri, realist bir perspektifle roman karakterlerine d\u00f6n\u00fc\u015ft\u00fcrenEftal Y\u0131ld\u0131z, k\u00f6ye dair bir\u00e7ok bile\u015feni,<\/p>\n\n\n\n a\u011falardan e\u015fk\u0131yalara uzanan bir yelpazede erkekleri, kad\u0131nlar\u0131 ve \u00e7ocuklar\u0131, k\u00f6yden hi\u00e7 \u00e7\u0131kmam\u0131\u015f ya\u015fl\u0131larla k\u00fc\u00e7\u00fck ya\u015fta evini terk edenleri okuyucuyla bulu\u015fturmay\u0131 da ba\u015farm\u0131\u015f. K\u00f6ydeki ekonomik ya\u015fam\u0131 ve d\u00f6n\u00fc\u015f\u00fcm\u00fc romanlar\u0131na yans\u0131tma bi\u00e7imiyle, modernle\u015fmenin \u00f6nemli bir boyutunu da mercek alt\u0131na alm\u0131\u015f. Ayr\u0131ca \u00c7ank\u0131r\u0131\u2019n\u0131n sosyolojik kodlar\u0131n\u0131 ta\u015f\u0131yan roman\u0131nda, gelenek diye dayat\u0131lan baz\u0131 tuhaf adetlerin, k\u00f6yde de asl\u0131nda d\u00fczenin \u00e7ark\u0131n\u0131 \u00e7evirenlerin dayatt\u0131\u011f\u0131 i\u015fler oldu\u011funu da harika resmetmi\u015f.(Y\u0131lmaz, 2023)<\/p>\n\n\n\n Bir Efsane<\/strong><\/p>\n\n\n\n \u00c2\u015f\u0131k \u00d6mer Efsanesi<\/strong> <\/p>\n\n\n\n \u00c2\u015f\u0131k \u00d6mer \u00c7ank\u0131r\u0131 yak\u0131nlar\u0131nda bir k\u00f6yde de\u011firmencilik yapmaktad\u0131r. Ak\u015famlara tek un \u00f6\u011f\u00fct\u00fcr \u00e7al\u0131\u015f\u0131r durur. Bir gece yorgun arg\u0131n yatar. Birden de\u011firmenin durdu\u011funu, do\u011fadaki t\u00fcm seslerin sustu\u011funu hisseder. Kalk\u0131p bakar T\u00fcm do\u011fa Tanr\u0131\u2019ya secde etmektedir. A\u011fa\u00e7lar e\u011filmi\u015f sular durmu\u015ftur an t\u00fcm istekler ger\u00e7ekle\u015fecektir. \u00d6mer Allah\u2019tan saz\u0131na ve s\u00f6z\u00fcne g\u00fc\u00e7 vermesini ister. Dile\u011fi kabul olur. \u00c2\u015f\u0131k \u00d6mer\u2019in ustaca saz \u00e7al\u0131p s\u00f6ylemesi bundand\u0131r.<\/p>\n\n\n\nHalk Hikayesi, Hikaye, destan<\/h2>\n\n\n\n