{"id":196,"date":"2025-01-20T20:47:49","date_gmt":"2025-01-20T20:47:49","guid":{"rendered":"https:\/\/edebiyatatlasi.com\/?page_id=196"},"modified":"2025-01-20T20:47:49","modified_gmt":"2025-01-20T20:47:49","slug":"aydin","status":"publish","type":"page","link":"https:\/\/edebiyatatlasi.com\/?page_id=196","title":{"rendered":"Ayd\u0131n"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">ROMANLAR<\/h2>\n\n\n\n<p><strong>B\u0130R KARI\u015e TOPRAK(SAM\u0130M KARAG\u00d6Z)<\/strong><\/p>\n\n\n\n<p>Bu \u00e7al\u0131\u015fmada, Samim Kocag\u00f6z\u2019\u00fcn ki\u015fisel ve orijinal \u00fcslup d\u00f6neminin romanlar\u0131ndan Bir Kar\u0131\u015f Toprak, yap\u0131salc\u0131 bir yakla\u015f\u0131mla metin merkezli olarak \u00e7\u00f6z\u00fcmlenmektedir. Bir Kar\u0131\u015f Toprak, Tahtac\u0131 ve da\u011f Y\u00f6r\u00fckleri adlar\u0131yla da bilinen T\u00fcrkmenlerin roman\u0131d\u0131r. Y\u00f6r\u00fcklerin kendi istekleri ile yerle\u015fik hayata ge\u00e7meleri, topraklanmalar\u0131 konusu ele al\u0131n\u0131r. Eserde, Y\u00f6r\u00fcklerin \u00f6zellikleri, gelenek ve g\u00f6renekleri masal, destan havas\u0131nda, canl\u0131, de\u011fi\u015fik bir anlat\u0131mla sergilenir. G\u00f6\u00e7ebe k\u00fclt\u00fcr ve t\u00f6releri ile yerle\u015fik d\u00fczen aras\u0131ndaki farkl\u0131l\u0131k, h\u00e2kim bak\u0131\u015f a\u00e7\u0131s\u0131 ve yazar anlat\u0131c\u0131 tekni\u011fi ile sergilenir. Eserde, insantabiat ve insan- insan \u00e7at\u0131\u015fmas\u0131 s\u00f6z konusudur. Olay zaman\u0131, 1894\u2019l\u00fc y\u0131llara denk d\u00fc\u015fer. On bir ayl\u0131k bir s\u00fcreyi konu alan eserde, II. Abd\u00fclhamit d\u00f6nemi, yani Cumhuriyet \u00f6ncesi anlat\u0131l\u0131r. Olay ile zaman aras\u0131nda derin bir m\u00fcnasebet vard\u0131r. G\u00f6\u00e7ebe k\u00fclt\u00fcr, atas\u00f6zlerinden deyimlere, ikilemelerden halk s\u00f6yleyi\u015flerine uzanan destans\u0131 bir anlat\u0131m tarz\u0131 ile yerle\u015fik hayat ise durgunluk ve \u00e7aresizlik y\u00fckl\u00fc yal\u0131n bir dille verilir. Bu da da\u011flara d\u00f6nerken S\u00f6ke ovas\u0131na \u201cY\u00f6r\u00fck T\u0131mar\u0131\u201d ad\u0131n\u0131 arma\u011fan eden Y\u00f6r\u00fcklerin yerle\u015fik hayata ge\u00e7i\u015fte ya\u015fad\u0131\u011f\u0131 bocalama ve durgunlu\u011fu hissettirmesi bak\u0131m\u0131ndan \u00f6nemlidir. (FOLKLOR EDEB\u0130YAT, 2024)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bir Efsane<\/h2>\n\n\n\n<p><strong>K\u0131zlarhisar\u0131<\/strong><\/p>\n\n\n\n<p>\u201cAlabanda kral\u0131n\u0131n \u00e7ok g\u00fczel bir k\u0131z\u0131 vard\u0131r. Herkesin g\u00f6z\u00fc bu g\u00fczel k\u0131zdad\u0131r. Alabandal\u0131 iki sanat\u00e7\u0131 k\u0131za talip olurlar ve kraldan isterler. Kral birisine kente su getirmesini, \u00f6tekine de senato binas\u0131n\u0131 yapmas\u0131n\u0131 s\u00f6yler. Ancak ikisinin de ayn\u0131 anda i\u015fe ba\u015flamalar\u0131n\u0131, \u00fcstlendikleri i\u015fleri \u00f6nce kim bitirirse k\u0131z\u0131 ona verece\u011fini bidirir. \u0130ki sanat\u00e7\u0131 b\u00fcy\u00fck a\u015fklar\u0131 u\u011frunaher g\u00fc\u00e7l\u00fc\u011fe g\u00f6\u011f\u00fcs gererek heyecanla i\u015flerine ba\u015flarlar. Suyu getirecek olan o kadar h\u0131zl\u0131 \u00e7al\u0131\u015f\u0131r ki, i\u015finin bitimine ramak kaladaha \u00f6tekinin ki yar\u0131y\u0131 bulmam\u0131\u015ft\u0131r. Normal ko\u015fullarda k\u0131z\u0131 alamayaca\u011f\u0131n\u0131 anlayan ikincisi kendien g\u00f6re plan uydurur. B\u00fcy\u00fck para ver m\u00fccevherat vererek arac\u0131lar bulur. Arac\u0131 b\u00fcy\u00fck bir yalan d\u00fczer. Do\u011fruca suyu getirecek olana gider. Seneto binas\u0131n\u0131n \u00e7oktan bitti\u011fini, dolay\u0131s\u0131yla k\u0131z\u0131n mimara verildi\u011fini s\u00f6yler. Suyu getirecek olan, b\u00fcy\u00fck \u015fa\u015fk\u0131nl\u0131k i\u00e7inde bir an duraklar. Dolu dolu olan g\u00f6zlerinden s\u0131zan ya\u015flar, yanaklar\u0131ndan a\u015fa\u011f\u0131ya, titrek dudaklar\u0131na iniverir.bir an nerede oldu\u011funu ne yapt\u0131\u011f\u0131n\u0131 bilemeyecek hale gelir. Sonra kalkar do\u011frulur. Etraf\u0131na, bir \u015fey ararcas\u0131na bak\u0131n\u0131r. Sonra yerde yatan balyozunu al\u0131r, havaya f\u0131rlat\u0131r. Balyoz daha havada iken alt\u0131na dikilir. H\u0131zla inmekte olan balyoz adam\u0131 parampar\u00e7a eder. Bir ba\u015fka s\u00f6ylentiye g\u00f6re de adam kendi yapt\u0131\u011f\u0131 \u0130ncekemer\u2019den a\u015fa\u011f\u0131ya atlayarak intihar eder. B\u00f6ylece rakipsiz kalan mimar k\u0131z\u0131 al\u0131r. O g\u00fcnden beri senato binas\u0131na K\u0131zlarhisar\u0131 denilmektedir.\u201d(engelsizedebiyat,2024)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"09 Ayd\u0131n\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/jg-XQo8KHws?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Bir Kelime<\/strong><\/p>\n\n\n\n<p>Deze: Teyze<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Bir Deyi\u015f<\/strong><\/p>\n\n\n\n<p>Ayd\u0131n \u00e7ukuru, alt\u0131n \u00e7ukuru.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ROMANLAR B\u0130R KARI\u015e TOPRAK(SAM\u0130M KARAG\u00d6Z) Bu \u00e7al\u0131\u015fmada, Samim Kocag\u00f6z\u2019\u00fcn ki\u015fisel ve orijinal \u00fcslup d\u00f6neminin romanlar\u0131ndan Bir Kar\u0131\u015f Toprak, yap\u0131salc\u0131 bir yakla\u015f\u0131mla metin merkezli olarak \u00e7\u00f6z\u00fcmlenmektedir. Bir Kar\u0131\u015f Toprak, Tahtac\u0131 ve da\u011f Y\u00f6r\u00fckleri adlar\u0131yla da bilinen T\u00fcrkmenlerin roman\u0131d\u0131r. Y\u00f6r\u00fcklerin kendi istekleri ile yerle\u015fik hayata ge\u00e7meleri, topraklanmalar\u0131 konusu ele al\u0131n\u0131r. Eserde, Y\u00f6r\u00fcklerin \u00f6zellikleri, gelenek ve g\u00f6renekleri masal, &hellip; <a href=\"https:\/\/edebiyatatlasi.com\/?page_id=196\" class=\"more-link\"><span class=\"screen-reader-text\">Ayd\u0131n<\/span> yaz\u0131s\u0131na devam et <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-196","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=196"}],"version-history":[{"count":1,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/196\/revisions"}],"predecessor-version":[{"id":197,"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=\/wp\/v2\/pages\/196\/revisions\/197"}],"wp:attachment":[{"href":"https:\/\/edebiyatatlasi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}