Roman\u0131n ba\u015fkahraman\u0131 Emine, 1968 d\u00f6neminde \u00fcniversitede okurken \u00f6\u011frenci hareketlerine kat\u0131lm\u0131\u015f ve 12 Mart muht\u0131ras\u0131n\u0131n ard\u0131ndan yap\u0131lan tutuklamalarda g\u00f6zalt\u0131na al\u0131nm\u0131\u015f ve i\u015fkence g\u00f6rm\u00fc\u015ft\u00fcr. Hik\u00e2ye, karakterin serbest b\u0131rak\u0131ld\u0131ktan sonra ge\u00e7mi\u015fini hat\u0131rlamas\u0131n\u0131 ve an\u0131lar\u0131yla hayat\u0131n\u0131 anlamland\u0131rmaya \u00e7al\u0131\u015fmas\u0131n\u0131 i\u00e7eriyor. Emine\u2019nin an\u0131lar\u0131 Erzurum\u2019da ge\u00e7en \u00e7ocukluk y\u0131llar\u0131n\u0131n, Cumhuriyetin ilk nesil \u00f6\u011fretmenleri olan anne ve babas\u0131n\u0131n sorunlu idealizminin, eve yard\u0131ma gelen Anadolu insan\u0131n\u0131n, \u00fcniversite i\u00e7in \u0130stanbul\u2019a geli\u015finin, \u00f6\u011frenci arkada\u015flar\u0131n\u0131n an\u0131lar\u0131d\u0131r. Burada ve zaman\u0131n\u0131n solcu gen\u00e7li\u011finin faaliyetleriyle tan\u0131\u015ft\u0131. Bir portre \u00e7izer. Bu portre, karakterin hapishanedeki i\u015fkencesinin son derece ayr\u0131nt\u0131l\u0131 hesaplar\u0131yla s\u00fcrekli olarak kesintiye u\u011frar. Roman, Emine\u2019nin \u00f6zg\u00fcr ve i\u015fkencesiz bir hayata al\u0131\u015faca\u011f\u0131 ve d\u0131\u015f d\u00fcnyaya kat\u0131laca\u011f\u0131na dair mesaj\u0131yla sona erer. (kitap diyar\u0131, 2022)<\/p>\n\n\n\n
\u015eAHSENEM(DURSUN KUVELO\u011eLU)<\/strong><\/p>\n\n\n\n Kitaba ismini veren \u015eahsenem, Do\u011fu Anadolu\u2019da katliama u\u011frayan mazlum k\u00f6ylerden birisinde ya\u015fayan bir \u00e7ocuk iken, ailesinin t\u00fcm\u00fcn\u00fcn Ermeni \u00e7etelerince katledilmesinden sonra \u201ciyi Ermeniler\u201d taraf\u0131ndan sahiplenilerek \u0130stanbul\u2019a getirilen bir k\u0131z \u00e7ocu\u011fu. \u015eahsenem\u2019in kitab\u0131n ba\u015f\u0131nda bu \u015fekilde \u0130stanbul\u2019a getirili\u015finden sonra b\u00f6lgede g\u00f6rev yapan bir Osmanl\u0131 Pa\u015fas\u0131\u2019n\u0131n (Nihad Pa\u015fa) himayesine girer. Kitab\u0131n sonunda, g\u00fcn\u00fcm\u00fcze gelinerek, Ermeni propagandas\u0131na kar\u015f\u0131 g\u00f6rev \u00fcstlenecek olan \u015eahsenem\u2019in torunu \u201cgazeteci g\u00f6r\u00fcn\u00fcml\u00fc\u201d M\u00fc\u00e7teba ve Zeynep ile tan\u0131\u015f\u0131r\u0131z. \u201cNihad Pa\u015fa\u2019n\u0131n Hat\u0131ra Defteri\u201d, torunu taraf\u0131ndan iletildi\u011fi gazeteci Muvaffak taraf\u0131ndan bir gazetede tefrika edilip yay\u0131nlan\u0131r. Bu yay\u0131n \u00fczerine g\u00fcn\u00fcm\u00fczdeki Ermeni \u00f6rg\u00fctlerinin hedefi haline gelen ailenin k\u0131z\u0131 Zeynep, bir suikaste maruz kal\u0131p yaralan\u0131r. Kitab\u0131n sonunda ya\u015fl\u0131 nine \u015eahsenem\u2019i hayata veda ettiren bomba da, bu hedef haline getirili\u015fin sonucudur. Bomban\u0131n yol a\u00e7t\u0131\u011f\u0131 yang\u0131n ile kitab\u0131n ba\u015f\u0131ndaki \u201ck\u00f6t\u00fc Ermeniler\u201d taraf\u0131ndan yak\u0131lan T\u00fcrk k\u00f6yleri sahnesine d\u00f6n\u00fcl\u00fcr.<\/p>\n\n\n\n Geneli itibar\u0131yla Do\u011fu Anadolu\u2019da ge\u00e7en kitapta, Erzurum-Mara\u015f hatt\u0131nda T\u00fcrk ve K\u00fcrt m\u00fcsl\u00fcmanlara y\u00f6nelik Ermeni katliamlar\u0131 tarih\u00ee verilerden yola \u00e7\u0131k\u0131larak tasvir edilmi\u015ftir. Antranik y\u00f6netimindeki Ermeni Ta\u015fnak \u00e7etecilerinin b\u00f6lgede yapt\u0131klar\u0131 katliamlar anlat\u0131l\u0131rken, uygulanan i\u015fkenceleri tarif eden ifadeler, yer yer kitab\u0131 okuyacak \u00e7ocuk ve gen\u00e7ler i\u00e7in dayan\u0131lmaz derecede a\u011f\u0131rla\u015f\u0131yor. Bu i\u015fkence sahnelerinden daha \u00f6nemli olarak, zaman\u0131n Ermeni din adamlar\u0131n\u0131n ve b\u00fct\u00fcn Anadolu\u2019yu saran misyoner okullar\u0131n\u0131n Ermenilerin Osmanl\u0131\u2019ya isyan\u0131nda oynad\u0131klar\u0131 provokatif rollere de kitapta yer verilmi\u015ftir. (B\u0130CE, 2013)<\/p>\n\n\n\n ABDULLAH EFEND\u0130 N\u0130N R\u00dcYALARI(Ahmet Hamdi Tanp\u0131nar)<\/strong><\/p>\n\n\n\n Abdullah Efendi k\u0131rk ya\u015f\u0131n\u0131 \u00e7oktan ge\u00e7mi\u015f bir adamd\u0131. Hayat\u0131n\u0131n hi\u00e7bir an\u0131n\u0131 bo\u015fa ge\u00e7irmemi\u015ftir. \u00c7ok s\u0131k\u0131nt\u0131lar, badireler g\u00f6rm\u00fc\u015ft\u00fcr. Ama bu s\u0131k\u0131nt\u0131lar\u0131na ra\u011fmen hayata bir \u015fekilde tutunmaya ayakta kalmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Hik\u00e2yenin as\u0131l k\u0131sm\u0131 Abdullah Efendi\u2019nin arkada\u015flar\u0131yla bir ak\u015fam e\u011flenmek \u00fczere i\u00e7kili bir mek\u00e2na gitmeleriyle ba\u015flar. Abdullah Efendi rutin hayat\u0131ndan uzakla\u015fmak, kafas\u0131ndaki s\u0131k\u0131nt\u0131lar\u0131n kendinde yaratt\u0131\u011f\u0131 etkileri azaltmak ve kurtulmak i\u00e7in arkada\u015flar\u0131yla gece i\u00e7kili bir mek\u00e2nda kafa da\u011f\u0131tmay\u0131 planlay\u0131p bu davete kat\u0131l\u0131r. Gece ba\u015flad\u0131\u011f\u0131nda yava\u015f yava\u015f i\u00e7ki i\u00e7ildik\u00e7e Abdullah Efendi\u2019nin kafas\u0131nda s\u00fcrekli g\u00f6rd\u00fc\u011f\u00fc r\u00fcyalar\u0131n etkileri ortaya \u00e7\u0131kmaya ba\u015flar. Kar\u015f\u0131s\u0131nda oturan \u00e7iftlerden kad\u0131n olan dikkatini \u00e7eker onun \u00fczerinden d\u00fc\u015f\u00fcncelere dalar. Mekan\u0131n her bir taraf\u0131na bakt\u0131k\u00e7a r\u00fcyas\u0131nda g\u00f6rd\u00fc\u011f\u00fc, kafas\u0131nda s\u00fcrekli kurdu\u011fu durumlar hayalinde canlan\u0131r kendisini ba\u015fka alemlere g\u00f6t\u00fcr\u00fcr. Kendi kafas\u0131nda kurdu\u011fu bu hayal d\u00fcnyas\u0131 onu i\u00e7inden \u00e7\u0131k\u0131lmaz bir hale b\u00fcr\u00fcnd\u00fcr\u00fcr. Bu durumlar ya\u015fan\u0131rken arkada\u015flar\u0131 mek\u00e2ndan ayr\u0131lman\u0131n vaktinin geldi\u011fini s\u00f6ylerler. Mek\u00e2ndan \u00e7\u0131k\u0131nca da kad\u0131nlar\u0131n oldu\u011fu bir mek\u00e2na giderler. Abdullah Efendi burada bir kad\u0131nla vakit ge\u00e7irmek i\u00e7in odaya girer. Kad\u0131n odaya gelmeden \u00f6nce odada ilgin\u00e7 bir \u015fekilde hayalet tarz\u0131nda ki\u015filer g\u00f6r\u00fcr. G\u00f6rd\u00fcklerinin etkisiyle odadan nas\u0131l \u00e7\u0131kt\u0131\u011f\u0131n\u0131 bilmeden oradan uzakla\u015f\u0131r. Abdullah Efendi bu gece boyunca acayip \u015feyler ya\u015far, g\u00f6r\u00fcr. En sonunda da \u0131ss\u0131z bir ev ilgisini \u00e7eker oraya girer. Orada da bir \u00e7ocuk kar\u015f\u0131s\u0131na \u00e7\u0131kar. Kendisine olmad\u0131k bir terslik yapar. Bunun etkisiyle bir anda her \u015feyin kendi kafas\u0131nda kurdu\u011fu hayal d\u00fcnyas\u0131 oldu\u011fu kan\u0131s\u0131na var\u0131r. (\u00d6zdemir, 2024)<\/p>\n\n\n\n EM\u0130R \u015eEYH EFSANES\u0130;<\/strong><\/p>\n\n\n\n Emir \u015eeyh\u2019in ad\u0131yla an\u0131lan Emir \u015eeyh Mahallesi, Tebrizkap\u0131da Sultan Melik Mahallesi yan\u0131nda Hasani Basri Mahallesinin alt ba\u015f\u0131nda yer alan bir mahalledir. Mahalle ismini Emir \u015eeyhten alm\u0131\u015ft\u0131r. Emir \u015eeyh\u2019in kim oldu\u011fu hakk\u0131nda kesin bilgilere ula\u015fmak m\u00fcmk\u00fcn de\u011fildir. Mahallede t\u00fcrbesi de bulunan Emir \u015eeyh rivayetlere g\u00f6re Abbasiler d\u00f6neminde ya\u015fam\u0131\u015f ve \u015feyhinden ald\u0131\u011f\u0131 emir \u00fczerine Erzurum\u2019a ir\u015fad vazifesi ile gelerek burada yerle\u015fmi\u015ftir.<\/p>\n\n\n\n \u015eeyhinin emri \u00fczerine Kars\u2019tan Erzurum\u2019a m\u00fcrit yeti\u015ftirmek i\u00e7in gelen Emir \u015feyh vefat edince bug\u00fcn t\u00fcrbesinin bulundu\u011fu yere defnedilmi\u015ftir. \u015eeyhinin emri \u00fczerine geldi\u011finden dolay\u0131 da kendisine Emir \u015eeyh denilmi\u015ftir.<\/p>\n\n\n\nHALK H\u0130KAYES\u0130,H\u0130KAYE,DESTAN<\/h2>\n\n\n\n
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<\/figure>\n<\/div>\n<\/div>\n\n\n\nB\u0130R EFSANE<\/h2>\n\n\n\n